Search Through Grants for Theater in New York City, New York in the U.S.

Background

Draper Richards Kaplan Foundation seeks to dramatically improve the lives of underserved communities across the globe by supporting scalable, innovative, and impact-first solutions that leverage existing systems and stakeholders. Our goal is to find social entrepreneurs with dynamic products or services that have a proven ability to positively impact the lives of underserved people, and nurture those organizations at the early stages by providing capacity, capital, and community.

Our application process is designed to be open and accessible, and we accept applications year round from across our priority geographies and sectors. Borrowing from our venture capital legacy, we find exceptional entrepreneurs and provide them with: 

Capacity

• The core of DRK’s model is deep and extensive operational and technical support for each portfolio organization, both through dedicated hands-on Board service and specialist capacity-building resources for fundraising, board and organizational development, leadership, financial support, and scaling strategy,

Capital

• DRK provides up to $300,000 USD in either unrestricted grant funding or investment capital over a three-year period, and

Community

• DRK convenes our portfolio and alumni annually, facilitating connections and community. 

What We Fund

DRK Foundation funds early-stage social impact organizations solving the world’s biggest social and environmental problems using bold, scalable approaches.

What stage of growth does DRK Foundation typically fund?

Early stage: Organizations who are early stage, which we define as post-pilot and pre-scale. This typically means: 

• Your program, product or service is already being used in the market or in the field, 
• You have early indication that your model is having its intended impact on the beneficiary populations,
• Your organization is relatively young (ideally between two and five years old, although we will consider both younger and older organizations).

Venture funding: In the case of for profits, we typically support Seed to Series A organizations, and never lead rounds; we also generally but not exclusively refrain from participating in financings exceeding a $15M USD post-money valuation.  

Mission

Driven by a philanthropic calling to support marginalized communities throughout the world, the Semnani Family Foundation partners with on-the-ground organizations and leverages its resources in a cost-effective and efficient manner that delivers the maximum benefit.

History

Guided by his grandmother Maliheh’s example and teachings, Khosrow Semnani and his wife Ghazaleh established the Semnani Family Foundation in 1993. The foundation’s first grant was issued through CARE International to an orphanage in Romania that cared for newborns affected by HIV. Over the last few decades, the foundation has continued to build upon its mission to empower the disaffected, partnering with a variety of organizations in different countries who can make the greatest impact.

In addition to its global influence, the Semnani Family Foundation established roots within the state of Utah with the founding of Maliheh Free Clinic in 2005 to provide free healthcare to thousands of uninsured people in the Salt Lake City area.

Where We Work

The Semnani Family Foundation focuses primarily on promoting health, education, and disaster relief for marginalized communities all around the world. Driven by a clear mission to adapt and serve at the global level, we have leveraged our resources to make a meaningful impact in the following countries so far:

• Afghanistan
• Bosnia
• Colombia
• England
• Ethiopia
• Ghana
• Guatemala
• India
• Iran
• Kenya
• Madagascar
• Mali
• Mexico
• Pakistan
• Philippines
• Romania
• Somalia
• South Africa
• Tanzania
• Tonga
• Uganda
• United States
• Yemen

At the heart of the Foundation lies a fervent commitment to human welfare, always prioritizing health and the needs of society’s most vulnerable.

About

The Shoshana Foundation was established in 1986 with the mission of providing funding and career support to young, emerging American opera singers. The Foundation does not select the recipient, rather participating opera companies and music schools nominate one of their own singers of outstanding promise. Both current and past recipients are eligible for supplemental grants, when appropriate and subject to approval by the Foundation's Board of Directors.

Shoshana Foundation Grant

Established by the Will of Richard F. Gold, The Shoshana Foundation Inc. carries out Richard's life-long dream of assisting young, gifted American singers with their career development. After working at both The New York City Opera and the Chamber Opera Theater of New York, Richard knew first-hand how critical the early stages of a young singer's career was. The Shoshana Foundation grew out of Richard's deep love of opera, and his commitment to young singers who keep it alive and thriving.

Incorporated in 1986, The Shoshana Foundation annually awards The Richard F. Gold Career Grant to young singers through music schools and opera apprenticeship programs. All recipients are selected by their respective schools or programs. 

Music School

Awarded to the most promising graduating Senior with a concentration in Voice Studies.

Music schools currently participating include:

• The Juilliard School
• The New School
• Temple University
• Mannes School of Music
• Manhattan School of Music
• LA Opera Young Artist

Opera Apprenticeship Programs

Awarded to the most gifted singers enrolled in established opera apprenticeship programs who plan to pursue opera professionally. Opera companies currently participating include:

• Houston Grand Opera
• Merola Opera Program
• Lyric Opera of Chicago
• Adler Fellowship
• Ryan Opera Center
• Opera National de Paris  

Supplemental Grants

All grant recipients are encouraged to apply directly to the Foundation for supplementary funds. Such funds are awarded for specific projects and are based on merit and the financial need of the applicant. These funds are given solely at the discretion of the Board of Directors of the Shoshana Foundation.

The Dudley T. Dougherty Foundation Vision

The Dudley T. Dougherty Foundation, "A Foundation for All", was established in 2002. It was begun in order to give a clear voice for those who wish to be a part of the many, worthy, forces for change in our world.

We are a foundation whose purpose is to look ahead towards the future, giving the past its due by remembering where we came from, and how much we can all accomplish together. We aim to make the critical difference on our planet by recognizing and having respect for our ever changing world. We respect all Life, the Environment, and all People, no matter who they are.

Georgia-Pacific Foundation

Established in 1958, the Georgia-Pacific Foundation sets aside resources to improve life in the communities where we operate. We’ve worked with thousands of outstanding community-based programs, service projects and disaster relief efforts, focusing our investment in four areas we believe make the most impact:

• education
• entrepreneurship
• enrichment of community
• environment

Investment Priorities

• Aligns with GP’s mission and values
• Aligns with GP’s Four Focus Areas of giving: Education, Environment, Enrichment of Community and Entrepreneurship
• Serves communities where GP has manufacturing facilities
• Creates value by contributing to and positively impacting long term well-being and sustainability of GP communities

About the Kurt Weill Foundation for Music

Chartered in 1962 as a not-for-profit private foundation, the Kurt Weill Foundation for Music preserves and perpetuates the legacies of composer Kurt Weill (1900-1950) and his actress-singer wife Lotte Lenya (1898-1981). Based in New York City, it encourages an appreciation of Weill’s music through support of performances, recordings, and scholarship, while nurturing talent more generally in the creation, performance, and study of musical theater. It maintains the Weill-Lenya Research Center; the annual Lotte Lenya Singing Competition; Weill-Lenya Artist Sponsorships, the Julius Rudel/Kurt Weill Conducting Fellowship, and the Harold Prince/Kurt Weill Directing Fellowship. It has prepared and co-published twelve volumes of the Kurt Weill Edition, with more in preparation. It awards biennially the Kurt Weill Prize for scholarship about music theater. The Foundation’s ongoing communications include its semi-annual Kurt Weill Newsletter, monthly E-News, and lively presence on multiple social media platforms. Since 2012, the Foundation has also administered the musical and literary estate of Marc Blitzstein. The Foundation's eight-member staff happily assists individuals and institutions on a daily basis in response to inquiries about licensing, casting, performing materials, historical and biographical information, and other resources. Overseen and energized by a distinguished and diverse fourteen-member board of trustees, the Foundation functions imaginatively and responsibly as the heir, custodian, and administrator of the rights of Weill, Lenya, and Blitzstein.

Grants Program & Collaborative Initiatives

The Foundation's Grant and Collaborative Initiatives Programs award financial support to individuals and not-for-profit organizations for projects related to Weill, Lenya, or Marc Blitzstein. Since 1983 the Foundation has awarded more than $5,000,000 in grant funding to hundreds of organizations and individuals worldwide. Its Grants and Collaborative Initiatives Programs reflect the Kurt Weill Foundation's commitment to principles of diversity, equity, and inclusion. As such, the Foundation ensures that its grant funding is awarded to organizations who have demonstrably committed to and implemented policies ensuring non-discrimination, diversity, and equality in its practices.

The Foundation's Grant Program accepts proposals in the following categories: Professional Performance, College/University and Amateur Performance, Media, Scholarly Symposia and Conferences, Publication Assistance, Research & Travel, and the Kurt Weill Dissertation Fellowship.

College/University and Amateur Performance

Funding of up to $15,000 may be requested by colleges, universities, and amateur performing arts organizations in support of general production expenses for performances of Kurt Weill’s and/or Marc Blitzstein’s stage works, and to cover musical expenses in connection with performances of Weill’s or Blitzstein’s concert works. Applications are reviewed by an independent advisory panel per the KWF’s Evaluation Procedures and Criteria.

About the Kurt Weill Foundation for Music

Chartered in 1962 as a not-for-profit private foundation, the Kurt Weill Foundation for Music preserves and perpetuates the legacies of composer Kurt Weill (1900-1950) and his actress-singer wife Lotte Lenya (1898-1981). Based in New York City, it encourages an appreciation of Weill’s music through support of performances, recordings, and scholarship, while nurturing talent more generally in the creation, performance, and study of musical theater. It maintains the Weill-Lenya Research Center; the annual Lotte Lenya Singing Competition; Weill-Lenya Artist Sponsorships, the Julius Rudel/Kurt Weill Conducting Fellowship, and the Harold Prince/Kurt Weill Directing Fellowship. It has prepared and co-published twelve volumes of the Kurt Weill Edition, with more in preparation. It awards biennially the Kurt Weill Prize for scholarship about music theater. The Foundation’s ongoing communications include its semi-annual Kurt Weill Newsletter, monthly E-News, and lively presence on multiple social media platforms. Since 2012, the Foundation has also administered the musical and literary estate of Marc Blitzstein. The Foundation's eight-member staff happily assists individuals and institutions on a daily basis in response to inquiries about licensing, casting, performing materials, historical and biographical information, and other resources. Overseen and energized by a distinguished and diverse fourteen-member board of trustees, the Foundation functions imaginatively and responsibly as the heir, custodian, and administrator of the rights of Weill, Lenya, and Blitzstein.

Grants Program & Collaborative Initiatives

The Foundation's Grant and Collaborative Initiatives Programs award financial support to individuals and not-for-profit organizations for projects related to Weill, Lenya, or Marc Blitzstein. Since 1983 the Foundation has awarded more than $5,000,000 in grant funding to hundreds of organizations and individuals worldwide. Its Grants and Collaborative Initiatives Programs reflect the Kurt Weill Foundation's commitment to principles of diversity, equity, and inclusion. As such, the Foundation ensures that its grant funding is awarded to organizations who have demonstrably committed to and implemented policies ensuring non-discrimination, diversity, and equality in its practices.

The Foundation's Grant Program accepts proposals in the following categories: Professional Performance, College/University and Amateur Performance, Media, Scholarly Symposia and Conferences, Publication Assistance, Research & Travel, and the Kurt Weill Dissertation Fellowship.

Kurt Weill Dissertation Fellowship

Doctoral candidates may apply for dissertation fellowships to assist in research activities on Weill, Lenya and/or Blitzstein-related topics. Fellowships are reserved for candidates with extraordinary potential for contribution to the field evidenced by recommendations from the academic community. The applicant’s project should address significant lacunae in Weill, Lenya, and/or Blitzstein research. Applications are reviewed by an independent advisory panel per the KWF’s Evaluation Procedures and Criteria.

About the Kurt Weill Foundation for Music

Chartered in 1962 as a not-for-profit private foundation, the Kurt Weill Foundation for Music preserves and perpetuates the legacies of composer Kurt Weill (1900-1950) and his actress-singer wife Lotte Lenya (1898-1981). Based in New York City, it encourages an appreciation of Weill’s music through support of performances, recordings, and scholarship, while nurturing talent more generally in the creation, performance, and study of musical theater. It maintains the Weill-Lenya Research Center; the annual Lotte Lenya Singing Competition; Weill-Lenya Artist Sponsorships, the Julius Rudel/Kurt Weill Conducting Fellowship, and the Harold Prince/Kurt Weill Directing Fellowship. It has prepared and co-published twelve volumes of the Kurt Weill Edition, with more in preparation. It awards biennially the Kurt Weill Prize for scholarship about music theater. The Foundation’s ongoing communications include its semi-annual Kurt Weill Newsletter, monthly E-News, and lively presence on multiple social media platforms. Since 2012, the Foundation has also administered the musical and literary estate of Marc Blitzstein. The Foundation's eight-member staff happily assists individuals and institutions on a daily basis in response to inquiries about licensing, casting, performing materials, historical and biographical information, and other resources. Overseen and energized by a distinguished and diverse fourteen-member board of trustees, the Foundation functions imaginatively and responsibly as the heir, custodian, and administrator of the rights of Weill, Lenya, and Blitzstein.

Grants Program & Collaborative Initiatives

The Foundation's Grant and Collaborative Initiatives Programs award financial support to individuals and not-for-profit organizations for projects related to Weill, Lenya, or Marc Blitzstein. Since 1983 the Foundation has awarded more than $5,000,000 in grant funding to hundreds of organizations and individuals worldwide. Its Grants and Collaborative Initiatives Programs reflect the Kurt Weill Foundation's commitment to principles of diversity, equity, and inclusion. As such, the Foundation ensures that its grant funding is awarded to organizations who have demonstrably committed to and implemented policies ensuring non-discrimination, diversity, and equality in its practices.

The Foundation's Grant Program accepts proposals in the following categories: Professional Performance, College/University and Amateur Performance, Media, Scholarly Symposia and Conferences, Publication Assistance, Research & Travel, and the Kurt Weill Dissertation Fellowship.

Media

Support may be requested from non-profit organizations for radio, television, video, film, audio, or multimedia projects that feature Kurt Weill’s, Lotte Lenya’s, or Marc Blitzstein’s life and/or music. Applications are reviewed by an independent advisory panel per the KWF’s Evaluation Procedures and Criteria.

About the Kurt Weill Foundation for Music

Chartered in 1962 as a not-for-profit private foundation, the Kurt Weill Foundation for Music preserves and perpetuates the legacies of composer Kurt Weill (1900-1950) and his actress-singer wife Lotte Lenya (1898-1981). Based in New York City, it encourages an appreciation of Weill’s music through support of performances, recordings, and scholarship, while nurturing talent more generally in the creation, performance, and study of musical theater. It maintains the Weill-Lenya Research Center; the annual Lotte Lenya Singing Competition; Weill-Lenya Artist Sponsorships, the Julius Rudel/Kurt Weill Conducting Fellowship, and the Harold Prince/Kurt Weill Directing Fellowship. It has prepared and co-published twelve volumes of the Kurt Weill Edition, with more in preparation. It awards biennially the Kurt Weill Prize for scholarship about music theater. The Foundation’s ongoing communications include its semi-annual Kurt Weill Newsletter, monthly E-News, and lively presence on multiple social media platforms. Since 2012, the Foundation has also administered the musical and literary estate of Marc Blitzstein. The Foundation's eight-member staff happily assists individuals and institutions on a daily basis in response to inquiries about licensing, casting, performing materials, historical and biographical information, and other resources. Overseen and energized by a distinguished and diverse fourteen-member board of trustees, the Foundation functions imaginatively and responsibly as the heir, custodian, and administrator of the rights of Weill, Lenya, and Blitzstein.

Grants Program & Collaborative Initiatives

The Foundation's Grant and Collaborative Initiatives Programs award financial support to individuals and not-for-profit organizations for projects related to Weill, Lenya, or Marc Blitzstein. Since 1983 the Foundation has awarded more than $5,000,000 in grant funding to hundreds of organizations and individuals worldwide. Its Grants and Collaborative Initiatives Programs reflect the Kurt Weill Foundation's commitment to principles of diversity, equity, and inclusion. As such, the Foundation ensures that its grant funding is awarded to organizations who have demonstrably committed to and implemented policies ensuring non-discrimination, diversity, and equality in its practices.

The Foundation's Grant Program accepts proposals in the following categories: Professional Performance, College/University and Amateur Performance, Media, Scholarly Symposia and Conferences, Publication Assistance, Research & Travel, and the Kurt Weill Dissertation Fellowship.

Professional Performance

Funding may be requested by professional opera companies, theater companies, dance companies, orchestras, ensembles, and other concert groups for performances of musical works by Kurt Weill and/or Marc Blitzstein. Applications are reviewed by an independent advisory panel per the KWF’s Evaluation Procedures and Criteria.

About the Kurt Weill Foundation for Music

Chartered in 1962 as a not-for-profit private foundation, the Kurt Weill Foundation for Music preserves and perpetuates the legacies of composer Kurt Weill (1900-1950) and his actress-singer wife Lotte Lenya (1898-1981). Based in New York City, it encourages an appreciation of Weill’s music through support of performances, recordings, and scholarship, while nurturing talent more generally in the creation, performance, and study of musical theater. It maintains the Weill-Lenya Research Center; the annual Lotte Lenya Singing Competition; Weill-Lenya Artist Sponsorships, the Julius Rudel/Kurt Weill Conducting Fellowship, and the Harold Prince/Kurt Weill Directing Fellowship. It has prepared and co-published twelve volumes of the Kurt Weill Edition, with more in preparation. It awards biennially the Kurt Weill Prize for scholarship about music theater. The Foundation’s ongoing communications include its semi-annual Kurt Weill Newsletter, monthly E-News, and lively presence on multiple social media platforms. Since 2012, the Foundation has also administered the musical and literary estate of Marc Blitzstein. The Foundation's eight-member staff happily assists individuals and institutions on a daily basis in response to inquiries about licensing, casting, performing materials, historical and biographical information, and other resources. Overseen and energized by a distinguished and diverse fourteen-member board of trustees, the Foundation functions imaginatively and responsibly as the heir, custodian, and administrator of the rights of Weill, Lenya, and Blitzstein.

Grants Program & Collaborative Initiatives

The Foundation's Grant and Collaborative Initiatives Programs award financial support to individuals and not-for-profit organizations for projects related to Weill, Lenya, or Marc Blitzstein. Since 1983 the Foundation has awarded more than $5,000,000 in grant funding to hundreds of organizations and individuals worldwide. Its Grants and Collaborative Initiatives Programs reflect the Kurt Weill Foundation's commitment to principles of diversity, equity, and inclusion. As such, the Foundation ensures that its grant funding is awarded to organizations who have demonstrably committed to and implemented policies ensuring non-discrimination, diversity, and equality in its practices.

The Foundation's Grant Program accepts proposals in the following categories: Professional Performance, College/University and Amateur Performance, Media, Scholarly Symposia and Conferences, Publication Assistance, Research & Travel, and the Kurt Weill Dissertation Fellowship.

Publication Assistance

Funding may be requested by authors and not-for-profit publishers to subvent expenses related to preparing manuscripts for publication in a recognized scholarly medium, including editing, indexing, design, and reproduction fees. Topics must be related to Kurt Weill, Lotte Lenya, and/or Marc Blitzstein. All publications must have been subject to peer review. Publication Assistance may be awarded to scholars previously funded with a Research and Travel Grant or a Dissertation Fellowship. Applications are reviewed by an independent advisory panel per the KWF’s Evaluation Procedures and Criteria.

About the Kurt Weill Foundation for Music

Chartered in 1962 as a not-for-profit private foundation, the Kurt Weill Foundation for Music preserves and perpetuates the legacies of composer Kurt Weill (1900-1950) and his actress-singer wife Lotte Lenya (1898-1981). Based in New York City, it encourages an appreciation of Weill’s music through support of performances, recordings, and scholarship, while nurturing talent more generally in the creation, performance, and study of musical theater. It maintains the Weill-Lenya Research Center; the annual Lotte Lenya Singing Competition; Weill-Lenya Artist Sponsorships, the Julius Rudel/Kurt Weill Conducting Fellowship, and the Harold Prince/Kurt Weill Directing Fellowship. It has prepared and co-published twelve volumes of the Kurt Weill Edition, with more in preparation. It awards biennially the Kurt Weill Prize for scholarship about music theater. The Foundation’s ongoing communications include its semi-annual Kurt Weill Newsletter, monthly E-News, and lively presence on multiple social media platforms. Since 2012, the Foundation has also administered the musical and literary estate of Marc Blitzstein. The Foundation's eight-member staff happily assists individuals and institutions on a daily basis in response to inquiries about licensing, casting, performing materials, historical and biographical information, and other resources. Overseen and energized by a distinguished and diverse fourteen-member board of trustees, the Foundation functions imaginatively and responsibly as the heir, custodian, and administrator of the rights of Weill, Lenya, and Blitzstein.

Grants Program & Collaborative Initiatives

The Foundation's Grant and Collaborative Initiatives Programs award financial support to individuals and not-for-profit organizations for projects related to Weill, Lenya, or Marc Blitzstein. Since 1983 the Foundation has awarded more than $5,000,000 in grant funding to hundreds of organizations and individuals worldwide. Its Grants and Collaborative Initiatives Programs reflect the Kurt Weill Foundation's commitment to principles of diversity, equity, and inclusion. As such, the Foundation ensures that its grant funding is awarded to organizations who have demonstrably committed to and implemented policies ensuring non-discrimination, diversity, and equality in its practices.

The Foundation's Grant Program accepts proposals in the following categories: Professional Performance, College/University and Amateur Performance, Media, Scholarly Symposia and Conferences, Publication Assistance, Research & Travel, and the Kurt Weill Dissertation Fellowship.

Research & Travel

Funding may be requested to support research and travel expenses to the Weill-Lenya Research Center and other locations of primary source material. Applicants must be researching a topic related to Kurt Weill, Lotte Lenya, and/or Marc Blitzstein.  Applications are reviewed by an independent advisory panel per the KWF’s Evaluation Procedures and Criteria.

About the Kurt Weill Foundation for Music

Chartered in 1962 as a not-for-profit private foundation, the Kurt Weill Foundation for Music preserves and perpetuates the legacies of composer Kurt Weill (1900-1950) and his actress-singer wife Lotte Lenya (1898-1981). Based in New York City, it encourages an appreciation of Weill’s music through support of performances, recordings, and scholarship, while nurturing talent more generally in the creation, performance, and study of musical theater. It maintains the Weill-Lenya Research Center; the annual Lotte Lenya Singing Competition; Weill-Lenya Artist Sponsorships, the Julius Rudel/Kurt Weill Conducting Fellowship, and the Harold Prince/Kurt Weill Directing Fellowship. It has prepared and co-published twelve volumes of the Kurt Weill Edition, with more in preparation. It awards biennially the Kurt Weill Prize for scholarship about music theater. The Foundation’s ongoing communications include its semi-annual Kurt Weill Newsletter, monthly E-News, and lively presence on multiple social media platforms. Since 2012, the Foundation has also administered the musical and literary estate of Marc Blitzstein. The Foundation's eight-member staff happily assists individuals and institutions on a daily basis in response to inquiries about licensing, casting, performing materials, historical and biographical information, and other resources. Overseen and energized by a distinguished and diverse fourteen-member board of trustees, the Foundation functions imaginatively and responsibly as the heir, custodian, and administrator of the rights of Weill, Lenya, and Blitzstein.

Grants Program & Collaborative Initiatives

The Foundation's Grant and Collaborative Initiatives Programs award financial support to individuals and not-for-profit organizations for projects related to Weill, Lenya, or Marc Blitzstein. Since 1983 the Foundation has awarded more than $5,000,000 in grant funding to hundreds of organizations and individuals worldwide. Its Grants and Collaborative Initiatives Programs reflect the Kurt Weill Foundation's commitment to principles of diversity, equity, and inclusion. As such, the Foundation ensures that its grant funding is awarded to organizations who have demonstrably committed to and implemented policies ensuring non-discrimination, diversity, and equality in its practices.

The Foundation's Grant Program accepts proposals in the following categories: Professional Performance, College/University and Amateur Performance, Media, Scholarly Symposia and Conferences, Publication Assistance, Research & Travel, and the Kurt Weill Dissertation Fellowship.

Scholarly Symposia and Conferences

Performing and educational organizations may request funding for scholarly or educational activities (workshops, symposia, scholarly conferences, secondary and college-level educational initiatives, etc.) focusing on Weill, Lenya, and/or Blitzstein. Support may be requested for payment of honoraria and travel expenses, preparation and printing of supporting materials, etc. Applications are reviewed by an independent advisory panel per the KWF’s Evaluation Procedures and Criteria.

Max and Victoria Dreyfus Foundation Grant

The Foundation will consider requests to support museums, cultural and performing arts programs; schools and hospitals; educational, skills-training and other programs for youth, seniors, and persons with disabilities; environmental and wildlife protection activities; and other community-based organizations and programs.

The New York Fellowship is a 6-month program that provides support to artists, scholars, and arts professionals working across disciplines, empowering them to take risks, develop their artistic practices, and take time to immerse themselves in the rich and varied cultural life of New York City.

The New York Fellowship aims to foster grantees’ understanding of New York City’s many diverse cultures. We posit that cultural understanding is uniquely imparted through first-hand experience, regardless of form or method, and that the impact of cultural exchange manifests in diverse ways. We encourage applicants to clearly articulate the desired outcome(s) they wish to gain from this Fellowship in their application.

ACC emphasizes that this 6-month grant is not a residency or an individual’s personal public relations tour. Rather, the New York Fellowship is a precious pause in everyday activities to take a deep dive into New York City’s rich cultural landscape. ACC hopes that Fellows will take the learnings and insights from their Fellowship experience to influence their own practice, and later contribute to the artistic and cultural communities in their home country.

About Mini-Grants

We award Mini-Grants for individual readings ($150 to $450 per session) and/or workshops ($200 to $300 per session) that may or may not be part of a larger reading series or festival. Mini-grants are paid by P&W directly to the individual writer. The entity organizing or hosting the event must act as the lead sponsor and must submit an application for support. As part of the application, please be prepared to provide the name of the participating writer, proposed event date(s), and amount requested, per the ranges listed above. 

New York State and California organizations that sponsor readings and workshops may apply for Mini-Grants to pay writers for their participation. All grants are paid by P&W directly to the writer. Due to a mandate from our funders, grants for events outside of New York City (i.e. New York, Kings, Queens, Bronx, and Richmond counties) are restricted to writers who are New York State residents; there is no restriction in California.

If a grant is awarded, payments are sent directly to the writer approximately two to four weeks after the event. To support as many literary events as possible, we generally grant no more than $3,000 to organizations during our fiscal year (July 1 to June 30), and across all grant opportunities; in California, the annual cap per organization per year is $1,500.

Decisions on maximum grant amounts are based on the availability of funds and are made at the discretion of Poets & Writers. These caps fluctuate depending on the availability of funds in each jurisdiction and the number of applications we receive.

Organizations are strongly encouraged to match P&W’s payment to the writer. However, if an organization is not able to match or add to the writer’s fee, we will still consider the application.

Funding Priorities

As part of our belief that literature is vital to sustaining a vibrant culture and our mission to help create an environment in which literature can be appreciated by the widest possible public, priority is given to organizations that:

• serve a culturally diverse audience
• feature culturally diverse writers
• feature writers who have not previously presented at that venue
• present programs in rural or other underserved areas
• have not previously received R&W support (If an organization has received R&W funding in the past, we consider whether it has followed the grant guidelines and returned reports in a timely manner.)
• are able to match R&W's payment to the writer (not including in-kind contributions such as meals, lodging, and travel)
• have a publicity and marketing plan to draw audience, and a track record of attracting audiences to past events.

Deadlines

• New York & California- June 1, 2025
• New York- August 31, 2025 ; November 30, 2025 ; March 1, 2026

Our Vision

We envision a thriving and equitable performing arts ecosystem for the city of New York, with reliable and ample philanthropic support.

We envision a city where all performance traditions, disciplines, and conversations are cultivated, cared for, and revered.

We envision a landscape where everyone can access and afford this vibrant ecosystem, and where arts organizations connect deeply and authentically with community.

Our Mission

Howard Gilman believed in the power of the arts to transform lives. In honoring his legacy, the Foundation provides funding and support to New York City-based performing arts organizations that are reflective of our City’s vibrant cultural community.

How We Do It

The Howard Gilman Foundation builds long-term partnerships with performing arts organizations. We primarily invest in organizations’ overall mission and fiscal health by providing general operating support grants. Each year, we add a small number of new organizations to our roster of annual grantees based on their fit within our vision, mission, and current priorities. 

By performing arts organizations, we mean:

• Generative performing arts companies, such as dance companies, music ensembles, theater companies, and multidisciplinary performance groups
• Performing arts presenters and venues
• Service organizations that support the sector, including those focused on residencies, artistic development, advocacy, and administrative and fiscal health

What does the Howard Gilman Foundation fund?

• Generative performing arts companies, such as dance companies, music ensembles, theater companies, and multidisciplinary performance groups
• Performing arts presenters and venues
• Service organizations that support the sector, including those focused on residencies, artistic development, advocacy, and administrative and fiscal health
• Gilman only funds organizations that are based in New York City. We also have specific priorities that we use to determine which new applicants will be added to our roster each year. Those priorities can be found here. 

The Louis Padovano Grants

Each year The Lotos Foundation awards organizational grants to a number of not-for-profit organizations based in the New York City metropolitan area who offer outstanding arts programs, free-of-charge, to middle-school and high school students from across the City's diverse populations and neighborhoods, nurturing talented students in the areas of dance, film, music, theatre, visual arts and writing as well as in the life and physical sciences.

Our Mission

The Scherman Foundation invests in the economic, political, and cultural transformation necessary for Black, Indigenous, and People of Color to reclaim and build power.

Our Strategic Framework

We believe that investing in cultural, political, and economic transformation together advances justice to realize our vision. We support organizations working at the intersections of these transformation areas inside our strategic framework. This framework is the foundation of our more specific and evolving program priorities.

• Economic Transformation
  • Our focus on economic transformation acknowledges that the root causes of economic inequity are linked to white supremacy and racial injustice and that the economic well being of BIPOC individuals and communities is critical for liberation.
  • We support organizations that focus on:
    • Strategies and models that provide BIPOC communities with greater access to capital, assets, and opportunities
    • Economic stability and security for BIPOC individuals and families
    • Advocating for more equitable economic systems through policy reform, institutional changes, and increased transparency
• Political Transformation
  • We believe that those who have been excluded must lead the way in dismantling current political structures and creating new, inclusive, and reflective democratic processes.
  • We support organizations that focus on:
    • Work and priorities that are driven by BIPOC communities
    • Forging multi-racial coalitions working toward racial justice
    • Reforming political structures and processes to make the political system more accessible and accountable to BIPOC communities
    • Increasing the participation of BIPOC communities in democratic processes and decision-making at all levels
• Cultural Transformation
  • Recognizing the crucial role of culture in advancing justice, we support organizations that harness storytelling, expression, and artistic activism to drive systemic change.
  • Our focus is on collaborative narrative change strategies, innovative storytelling frameworks, and equitable media accessibility.
  • We support organizations that focus on:
    • Public Narrative Change: Combating misinformation and harmful stereotypes through investments in journalism, local news outlets, and nonfiction narratives
    • Artistic Expression: Supporting the creativity and work of BIPOC artists and communities without imposing agendas or conditions and transforming the field to do the same
    • Artivism: Using art as a tool for organizing grassroots movements and collective action, including funding on-the-ground storytelling and public art projects

General Criteria

We consider the following general criteria in our grantmaking process.

• Organizations that are accountable to or directed by Black, Indigenous, and People of Color communities.
  • While we prioritize BIPOC leadership, our main focus is on organizations where BIPOC communities have clear influence and decision-making power over the organization's strategy, direction, programmatic work, and finances.
• Organizations that are intersectional in their work and practices.
  • Intersectionality recognizes that individuals hold multiple identities, shaping their experiences with power.
  • We look for organizations that demonstrate a deep understanding of intersectionality in their mission, programs, and practices; center the voices and experiences of those most affected by multiple forms of oppression; and address the interconnectedness of racial justice with economic status, gender, LGBTQ+, and/or disability justice as well.
• Organizations that work with others to build movements toward racial justice.
  • Movement-building is the long-term process of organizing and empowering individuals and organizations to collectively work towards systemic change and a shared vision.
  • We look for organizations and coalitions that reflect key characteristics of movement building including an authentic mass base; grassroots leadership; a shared ideology or narrative; broad coalition-building; and strategy to create and sustain structural change beyond specific organizations or campaigns.
  • The Foundation supports organizations focused on organizing and advocacy, while our Arts funding includes a wider range of approaches.

Arts Program

We believe New York City's arts landscape drives not only its cultural vibrancy but also promotes political and economic power among its residents. By investing in place-based work and local efforts, we can best support the conditions necessary to build that power through and within the arts while also uplifting generative creativity that is at the heart of the deep artistic history and diverse cultural foundations that have shaped New York City.

We also believe in supporting the interconnectedness among BIPOC artists, communities, the arts field, and activism. Movements cannot exist without artistic power, and art and creation itself is a form of power—both must be prioritized. A percentage of our funding will be allocated to citywide arts support services and advocacy rooted in racial justice, ensuring the sustained transformation of the arts field at large.

Funding Priorities

In Central & South Brooklyn, the South Bronx, East and Central Harlem, and on the Lower East Side of Manhattan, we support organizations that:

• Focus on arts, cultural, and narrative work through a racial justice lens
• Build BIPOC-led arts infrastructure and provide unconditional, holistic support for BIPOC artists, ensuring their artistic freedom and creativity are respected, resourced, and amplified
• Enhance economic opportunities and access for communities through arts and culture, including partnerships with local vendors, events, and engagement
• Support the use of art and "artivism" as means of political leverage and advocacy both within the arts field and across areas to build community power
• Ensure BIPOC art and culture workers have a seat at the table where resource allocation and decision-making occur
• Support the power and presence of long-standing BIPOC communities in the area, preserve and promote local cultural heritage, and address gentrification's impact on local communities while fostering continued artistic generation
• Engage with and benefit diverse audiences
• Bolster BIPOC-led and serving arts and cultural networks and underfunded cultural organizations

Outside of our geographic priorities, we also support:

• “Bridge” theaters across the city that center BIPOC artists and transformative works. Our goal is to change field norms and make NYC productions more accessible
• Arts and cultural networks that have presence and roots in multiple neighborhoods or boroughs, unify advocacy, representation, and transformation efforts in the field, and act as gateways for BIPOC communities to access the arts
• Arts advocacy, support, and services grounded in racial justice to transform the arts field at large and leverage traditional audiences and venues, ensuring a more equitable arts landscape that reflects the city's diversity

The Jerome Foundation promotes a dynamic culture through support for artists, collectives and/or ensembles across all disciplines in the early stages of their vocational artistic lives to create new work and for nonprofit arts organizations that offer programs, services and activities for such artists, collectives and/or ensembles. We support artists and nonprofit arts organizations based in the state of Minnesota and the five boroughs of New York City.

Jerome Foundation Values

The Foundation’s core values, which we strive to model in our practice as grantmakers and to support in our grantees, are:

Diversity: We consciously embrace diversity in the broadest sense. We support a diverse range of artists and organizations, including but not limited to those of diverse cultures, races, sexual identities, genders, generations, aesthetics, points of view, physical abilities, and missions. We support a diverse range of artistic disciplines and forms, created in a variety of contexts and for different audiences.

Innovation/Risk: We support artists who and organizations that push the boundaries of their respective disciplines, and we applaud unconventional approaches to solving problems.

Humility: We work for artists (rather than the reverse) and believe that artists and organizations are the best authorities to define their needs and challenges—an essential humility reflective of Jerome Hill, our founder. The artists we support embrace their roles as part of a larger community of artists and citizens, and consciously work with a sense of purpose, whether aesthetic, social or both.

Arts Organization Grants

In alternating years, the Jerome Foundation offers two-year grants for ongoing programs in six discipline(s) for artists that meet Jerome’s eligibility requirements as defined below. Applications are reviewed by panels in Dance; Literature; Media, including film, video, and digital production and new media; Music; Theater; and Visual Arts. Organizations may apply with programs in multiple disciplines. 

A diverse range of programs will be supported in each artistic discipline. This includes both development (artistic or career development and/or technical assistance) and production programs (culminating in a full production/exhibition/publication/etc.). 

No organization (whether previously funded or not) may request more than 25% of a three-year average of its actual annual operating income, based on its three most recent completed fiscal years. In-kind contributions may not be used in calculating this average. For fuller explanation, see the FAQ.

Organizations may seek support for programs activities that serve a broad range of artists, including but not limited to Jerome-eligible artists (i.e., programs that serve both early career and mid-career artists, or include artists from beyond Minnesota or New York City).

However, Jerome grant funds may only be used to cover costs for eligible artists. At least 75% of awarded grant funds must support direct costs for the specific program(s), although an organization might choose to dedicate a higher percentage of the grant to such direct program costs. Up to 25% of the grant funds may be applied to support indirect administrative costs for Jerome-funded programs and/or for ongoing organizational costs connected to services and activities for early career artists.

Our Mission

Perelman Performing Arts Center (PAC NYC) creates connections:

• by cultivating bonds between extraordinary artists and communities
• with exemplary performances in active dialogue across the arts
• in our flexible intimate spaces, inviting conversation, and new relationships

Our art and our audiences reflect the dynamic energy of all five boroughs of New York City. We invite everyone to join us as we celebrate creative expression from around the world.

The Democracy Cycle

Over a 5-year period, The Democracy Cycle – a collaboration between the Perelman Performing Arts Center (PAC NYC) and Civis Foundation (an affiliate of Galvan Initiatives) – will commission and develop a total of 25 new performing arts works across the fields of theater, dance, music, opera, and multi-disciplinary performance that express themes related to the nature and practice of democracy, particularly as it is practiced in the United States.

Purpose

Our hope is that the commissioned projects will enrich and expand discussion of and participation in democracy – be it in the national, state, regional, or hyperlocal community realm – as it is practiced within the United States and worldwide. The Democracy Cycle project is inspired by the following beliefs:

• Democratic values are a global expression of humanity’s striving to live with one another with respect and in peace.
• Democracy, as practiced in the United States, includes a history of founding exclusions. It has been, and must continue to be, the ongoing work of our society to expand upon the ideals of inclusivity embedded in our founding documents.
• Democracy faces significant perceived and actual threats in the current moment, both domestically and internationally.
• The Intersection of capitalism and democracy creates both opportunities and tensions.
• Artists are the beating heart of democratic values because of their ability to imagine new worlds, envision new possibilities, and provoke meaningful discourse across divides.

The primary focus of The Democracy Cycle will be on democracy as it is currently being practiced in the United States. However, commissioned projects may include references to democracies worldwide provided they have potential for informing and deepening our understanding of American democracy.

Selection Criteria

Readers and panelists will consider the following in selecting the commissioned projects:

• How does the proposed work expand, critique, or celebrate democracy, the practice of democracy, and democratic ideals?
• How has the artist or artists identified and responded to ideas or themes related to democracy, including core democratic principles and values (ex. political equality, majority rule, minority rights, freedom of speech, freedom of assembly, freedom of religion, among others.)
• Does the work demonstrate clear potential for generating meaningful reflection and discourse on democracy as demonstrated by project narrative, samples of prior work, and artistic history of its collaborators.

Funding

Each selected artist will receive $60,000 in support, consisting of a commission of $30,000 to create the new work as well as an additional $30,000 in support of the work’s development process (research, readings, workshops etc.).

Calling to Serve

Since its inception in 2016, the Robinson Foundation has sought to demonstrate God’s love through sharing the gifts we have received. We understand the often unspoken hardships and struggles that people in and outside of our community face everyday. As such, our contributions are focused on relieving these hardships for the betterment of our world.

As a family-operated foundation, we pray that our small efforts will not only create immediate change in the lives of our neighbors, but will help set those lives on a course for success in the future. We are thankful for each and every day we have on this earth to use what God has granted us to make a difference.

Areas of Interest

• Animal Welfare
• Children & Families
• Disaster Relief
• Education
• Medical Assistance
• Nature & Wildlife Conservation
• Poverty Relief
• Religious & Spiritual Endeavors
• Veterans' Issues

Grant Considerations

We take many different aspects of applications into account when making grant issuing decisions, however these are some of the high-level questions we ask ourselves during the process:

• How does the organization serve their key audience goals?
• Is the organization fiscally responsible?
• Will a grant have a tangible, meaningful impact?
• Will we see direct results from this grant?
• Does the organization have other financial contributors?

Our Vision

We envision a thriving and equitable performing arts ecosystem for the city of New York, with reliable and ample philanthropic support.

We envision a city where all performance traditions, disciplines, and conversations are cultivated, cared for, and revered.

We envision a landscape where everyone can access and afford this vibrant ecosystem, and where arts organizations connect deeply and authentically with community.

Our Mission

Howard Gilman believed in the power of the arts to transform lives. In honoring his legacy, the Foundation provides funding and support to New York City-based performing arts organizations that are reflective of our City’s vibrant cultural community.

How We Do It

The Howard Gilman Foundation builds long-term partnerships with performing arts organizations. We primarily invest in organizations’ overall mission and fiscal health by providing general operating support grants. Each year, we add a small number of new organizations to our roster of annual grantees based on their fit within our vision, mission, and current priorities. 

By performing arts organizations, we mean:

• Generative performing arts companies, such as dance companies, music ensembles, theater companies, and multidisciplinary performance groups
• Performing arts presenters and venues
• Service organizations that support the sector, including those focused on residencies, artistic development, advocacy, and administrative and fiscal health

What does the Howard Gilman Foundation fund?

• Generative performing arts companies, such as dance companies, music ensembles, theater companies, and multidisciplinary performance groups
• Performing arts presenters and venues
• Service organizations that support the sector, including those focused on residencies, artistic development, advocacy, and administrative and fiscal health
• Gilman only funds organizations that are based in New York City. We also have specific priorities that we use to determine which new applicants will be added to our roster each year. Those priorities can be found here. 

Van Lier Fellowship Program

The Edward and Sally Van Lier Fellowship Program makes grants to arts organizations to support historically underrepresented artists at two important stages of their artistic development: pre-professional, which describes the training and artistic growth of young people ages 6 to 18, prior to attending college or conservatory programs; and young professional, during which adults ages 18 to 30 seek to establish a career in the arts. We issue a separate Request for Proposals (RFP) for each level of development, typically in alternating years.

Ryan Hudak LGBTQ+ Dramatic Writing Award 

The Ryan Hudak LGBTQ+ Dramatic Writing Award is an $8,000 cash grant to be awarded to one (1) New York State-based playwright or screenwriter who self-identifies as LGBTQ+.

The Award honors the life and work of Ryan Hudak. Ryan was a gay playwright, theater maker, filmmaker, and a valued member of NYFA’s staff who served on the executive and development teams. Tragically, Ryan passed away in May 2022 after a long battle with Leukemia at the age of 32. The Award is open to playwrights and screenwriters who live in New York State, including those who live within the five boroughs of New York City.

Funding for this award is generously provided by Ryan’s parents, Pat and Tom Hudak; individual donors; and the philanthropic community. 

The Emma A. Sheafer Charitable Trust provides capacity-building support to performing arts organizations located in New York City.

To enhance the chances of success for applicants, the Trust has implemented a new approach wherein organizations are encouraged to apply based on their primary focus area, which includes dance, theater, or music. Each year, the Trust designates a specific focus area for applications cycling through theater, dance, and music, accordingly. Thus, in 2024 theater organizations are invited to apply. Dance organizations are invited to apply in 2025 followed by music organizations in 2026. The cycle returns to theater organizations in 2027 and continues onward.

If an organization operates within multiple performing arts categories or identifies as a different type of performing arts organization, we invite you to apply under the appropriate year that most aligns with your work.

Funding Interests

• Performing arts organizations with an annual operating budget less than or equal to $1,000,000.

Type of Support

Grants are provided for capacity-building support and small-scale capital projects. Support is not provided for commissions, programs, or project-related requests. Grants may be single year or two-year commitments, and are typically $15,000 – $30,000 annually.

MISSION

IndieSpace celebrates and centers independent theater-making in New York City. We provide radically transparent, responsive and equity-focused funding, real estate programs, professional development, and advocacy to individual artists, theater companies, and indie venues.

VISION

IndieSpace will strengthen the indie theater community by disrupting ongoing displacement, democratizing power, demanding social and financial equity, and raising an unwavering voice that is truly indie.

Little Venue That Could Grant Program

IndieSpace is excited to offer The Little Venue That Could Grant Program for the second time!

Funded with the generous support of the Howard Gilman Foundation, The Little Venue That Could Grant Program was created to provide unrestricted general operating support to New York City based indie theater, dance, and multidisciplinary performance venues with expense budgets under $500,000. Due to size, fiscal structure, staffing arrangements, and unconventional leasing and ownership structures, these homes for artists are often excluded from city, state, and federal funding and may not meet financial thresholds to get significant support from private foundations. Despite this historical absence of consistent financial support and the growing affordability crisis in NYC, small-budget indie theater, dance, and multidisciplinary venues continue to play a critical role in the creative ecosystem by providing artists with affordable performance and presenting space.

Selected grantees will receive:

Unrestricted grants of $10,000 per year, for two years, 2025-2026, which can be used to pay staff, rent, utilities, debt, or whatever your venue deems appropriate to help keep your doors open and thrive.

Professional Development services, valued at $5,000, which must be used for professional development services within the two years of the grant period. Recipients will receive a menu of offerings from which to choose after they are awarded the grant.

Automatic access to IndieSpace’s FREE Advisory and Consulting program, providing access to experts and information throughout the lifetime of your space operation.

Corporate Contributions

Community involvement and corporate citizenship are an example of Insperity’s mission in action. We are committed to helping the communities where we live and work because together, we know we can make great things happen.

Grants

Philanthropic grants are a strong part of our community outreach and aid institutions needing financial support to meet important service goals.

Event Sponsorship

Fundraising events are an important part of nonprofit support. Insperity provides event sponsorships to approved charities to assist them in meeting their financial and community goals.